The Consolation of Philosophy

The Consolation of Philosophy – Boethius

The Consolation is a philosophical treatise written by Boethius (c. 480-524 A.D.) while awaiting his execution after being imprisoned by the Gothic emperor Theodoric. The first time I heard of Boethius and his most famous composition was, as so often is the case, when I was reading another work. The work in question is A Confederacy of Dunces by John Kennedy O’Toole. The main character of O’Toole’s novel, one Ignatius J. Reilly, had based his entire life and worldview around the philosophy of Boethius and his assessment of Fortune. A great work in its own right, A Confederacy of Dunces left a lasting impression in my mind and, when by chance I came across a copy of the Consolation in the used bookstore (Boardwalk Books for all you Duluthians), I jumped at the opportunity to see for myself what Boethius had to say.

The work is composed of five books beginning with Boethius struggling to make sense of his imprisonment and pending execution. Confronted with a fate that is seemingly at odds with the virtue and faith with which he has conducted his life, Boethius is about to succumb to the sorrow that is filling his thoughts. Just then he notices the presence of a woman in his cell, the awe-inspiring Philosophy. She bemoans that Boethius, once such an avid student of hers, is now about to abandon all that he had previously gained. Thus begins a journey of reason and contemplation between the two until Boethius in the end finds the consolation that he had almost given up upon. Interspersed between the dialogues of Boethius and Philosophy are a number of poems that range in subject matter and content. More numerous at the beginning of the work, the poems often times serve as transitions between arguments or help to put difficult concepts into a clearer light. Thus a remarkable harmony is reached between prose and poetry that can be appreciated even in an English translation, a rare feat indeed. (For my reading I chose the V. E. Watts translation published by Penguin Classics).

It is perhaps significant to understand the time in which Boethius lived a bit better to gain a more accurate reading of his work. Living long after Constantine’s conversion to Christianity in the 4th century A.D., it is widely accepted that Boethius was a Christian and believer of the tenants of the Catholic Church (at a time when the Gothic emperor Theodoric, also a Christian but belonging like all Goths to the heretical Arian sect that believed that the father and son were not of one substance). One must find it a bit peculiar than that at no point in Boethius’ text is Christianity mentioned in any overt context. To find a believer in his last days before death turning not to theology for comfort, as one might expect, but rather to philosophy has raised many questions about the nature of Boethius’ belief. But one only has to look to the title of the work to see that Boethius is choosing philosophy for the subject of his work and could very well indeed have thought theology a better consolation, although one that would be and should be treated in an altogether separate treatise. With this in mind, Boethius draws on the works of the great philosophers and thinkers of antiquity; Homer, Plato, Aristotle, Cicero, Seneca, St. Augustine, the Stoics, and the Neo-Platonists. This feat being all the more remarkable because Boethius apparently relied on his own memory to produce the arguments and passages seeing as he had no access to any literary sources while imprisoned.

Boethius has rightly been called the last classical man. Indeed his thoughts and works can be seen as forming a bridge between the classical world and the Middle Ages. The Consolation influenced countless numbers of theologians throughout the Middle Ages and direct references are to be found in the works of masters such as Dante and Chaucer. His lonely contemplation of good and evil, fate and free will, fortune and the nature of happiness certainly still have an allure to inquisitive minds to this day.