Wednesday, August 1, 2007

The Soft Machine – William Burroughs p.132

The Soft Machine – William Burroughs p.132

The Soft Machine is Burroughs’s definitive work of cut-up and experimental writing. Most of the elements of the book are taken from the same period of writing that produced his first success Naked Lunch and are in many ways a natural continuation of that work. Many familiar characters pop up in The Soft Machine and many of the same themes of homosexuality, drug addiction, death, murder and corruption appear throughout. That being said, The Soft Machine is in many ways different from Naked Lunch. The most apparent is the total abandonment of any semblance to a coherent storyline. I will call this the cut-up style in the macro approach. There is a micro side of it as well. In almost every sentence Burroughs applies the technique to combine words and phrases that at first glance have no apparent connection or meaning together. The result is an interesting, if a bit tiring form of literary art.

I started reading this book directly after I finished Naked Lunch and was a bit let down by it at first. I was looking for something that had a bit more meaning taken as a whole and The Soft Machine just isn’t that kind of book. It was only after I realized this that I began to appreciate it for what it was: a conscious attempt to create a new literary form and actively use words to illustrate the patterns of society and life that we are too familiar and dependent upon. Addiction is a dominant theme in Burroughs’s work and it normally manifests itself in the form of dope, but I think he uses his unique style to illuminate the other pervasive forms of addiction that he saw saturating society. Addiction is essentially concerned with control, the control of a substance over the actions and choices of an individual. For Burroughs a mode of though or way of life could be just as easily substituted for a substance as long as it met the conditions of addiction.

The Soft Machine is an essential work and in many ways definitive in Burroughs assault against all the agents of control in our societies. Through a destruction of past literary forms and the resulting reconstruction into something utterly different he hoped to show not a solution to the problems confronting us, but rather to show us all how widespread and engrained the current system is.